All The Early Winners From Night 1

LEGACY AWARD

• “I Love Lucy” — recipient

OUTSTANDING SUPPORTING ACTOR IN A LIMITED OR ANTHOLOGY SERIES OR MOVIE

• Richard Gadd, “Half Man”
• Jason Bateman, “DTF St. Louis”
• Richard Jenkins, “DTF St. Louis”
• David Harbour, “DTF St. Louis”
• Nick Offerman, “Death by Lightning”
• Charles Melton, “BEEF”

OUTSTANDING SUPPORTING ACTRESS IN A LIMITED OR ANTHOLOGY SERIES OR MOVIE

• Dakota Fanning, “All Her Fault”
• Linda Cardellini, “DTF St. Louis”
• Joy Sunday, “DTF St. Louis”
• Laurie Metcalf, “Monster: The Ed Gein Story”
• Constance Zimmer, “Love Story: John F. Kennedy Jr. & Carolyn Bessette”
• Youn Yuh-jung, “BEEF”

OUTSTANDING GUEST ACTOR IN A COMEDY SERIES

• Brett Goldstein, “Shrinking”
• Michael J. Fox, “Shrinking”
• Christopher McDonald, “Hacks”
• Hamish Linklater, “Widow’s Bay”
• Connor Storrie, “Saturday Night Live”
• Rob Reiner, “The Bear”

OUTSTANDING GUEST ACTOR IN A DRAMA SERIES

• Ernest Harden Jr., “The Pitt”
• Colman Domingo, “Euphoria”
• Jeff Kober, “The Pitt”
• Jeff Hiller, “Pluribus”
• Bradley Whitford, “The Diplomat”
• Jonathan Pryce, “Slow Horses”

OUTSTANDING GUEST ACTRESS IN A COMEDY SERIES

• Jamie Lee Curtis, “The Bear”
• Leslie Bibb, “Hacks”
• Lauren Weedman, “Hacks”
• Cherry Jones, “Hacks”
• Betty Gilpin, “Widow’s Bay”
• Kaitlin Olson, “Hacks”
• Laurie Metcalf, “Hacks”

OUTSTANDING GUEST ACTRESS IN A DRAMA SERIES

• Tal Anderson, “The Pitt”
• Brittany Allen, “The Pitt”
• Miriam Shor, “Pluribus”
• Tina Ivlev, “The Pitt”
• Shailene Woodley, “Paradise”
• Merritt Wever, “The Gilded Age”

OUTSTANDING CHARACTER VOICE-OVER PERFORMANCE

• Julie Andrews, “Bridgerton”
• Pamela Adlon, “King of the Hill”
• Trey Parker, “South Park”
• Hank Azaria, “The Simpsons”
• Steven Yeun, “Invincible”
• Matt Vogel, “The Muppet Show”

OUTSTANDING INDIVIDUAL ACHIEVEMENT IN ANIMATION

• Juried — recipients already announced:
  • “Eyes of Wakanda” (“Into the Lion’s Den”)
  • “Genndy Tartakovsky’s Primal” (“Kingdom of Sorrow”)
  • “Genndy Tartakovsky’s Primal” (“Vengeance of Death”)
  • “The Mighty Nein” (“Mote of Possibility”)
  • “Star Wars: Visions” (“The Duel: Payback”)

OUTSTANDING ANIMATED PROGRAM

• “Bob’s Burgers”
• “Rick and Morty”
• “The Simpsons”
• “Smiling Friends”
• “South Park”
• “Star Wars: Visions”

OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE CONTEMPORARY PROGRAM (ONE HOUR OR MORE)

• “Euphoria”
• “The Pitt”
• “Pluribus”
• “Slow Horses”
• “Wednesday”

OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE PERIOD OR FANTASY PROGRAM (ONE HOUR OR MORE)

• “Fallout”
• “The Gilded Age”
• “Palm Royale”
• “Spider-Noir”
• “Stranger Things”

OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE PROGRAM (HALF-HOUR)

• “Hacks”
• “A Knight of the Seven Kingdoms”
• “Leanne”
• “Only Murders in the Building”
• “Widow’s Bay”

OUTSTANDING CASTING FOR A COMEDY SERIES

• “Abbott Elementary”
• “Hacks”
• “Only Murders in the Building”
• “Shrinking”
• “Widow’s Bay”

OUTSTANDING CASTING FOR A DRAMA SERIES

• “The Diplomat”
• “Paradise”
• “The Pitt”
• “Pluribus”
• “Slow Horses”

OUTSTANDING CASTING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE

• “All Her Fault”
• “The Beast in Me”
• “BEEF”
• “DTF St. Louis”
• “Love Story: John F. Kennedy Jr. & Carolyn Bessette”

OUTSTANDING CHOREOGRAPHY FOR SCRIPTED PROGRAMMING

• “Bridgerton”
• “Noah’s Arc: The Movie”
• “Palm Royale”
• “Stumble”
• “Wednesday”
• “Will Trent”

OUTSTANDING CINEMATOGRAPHY FOR A SERIES (HALF-HOUR)

• “The Bear”
• “Hacks”
• “A Knight of the Seven Kingdoms”
• “The Upshaws”
• “Widow’s Bay”

OUTSTANDING CINEMATOGRAPHY FOR A SERIES (ONE HOUR)

• “Alien: Earth”
• “Euphoria”
• “Margo’s Got Money Troubles”
• “Pluribus”
• “Spider-Noir”
• “Task”

OUTSTANDING CINEMATOGRAPHY FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE

• “BEEF”
• “Black Rabbit”
• “Death by Lightning”
• “DTF St. Louis”
• “Monster: The Ed Gein Story”

OUTSTANDING PERIOD COSTUMES

• “Bridgerton”
• “The Gilded Age”
• “Love Story: John F. Kennedy Jr. & Carolyn Bessette”
• “Monster: The Ed Gein Story”
• “Palm Royale”

OUTSTANDING FANTASY/SCI-FI COSTUMES

• “Alien: Earth”
• “The Boys”
• “Fallout”
• “A Knight of the Seven Kingdoms”

OUTSTANDING CONTEMPORARY COSTUMES FOR A SERIES

• “Emily in Paris”
• “Hacks”
• “Margo’s Got Money Troubles”
• “Only Murders in the Building”
• “Wednesday”

OUTSTANDING CONTEMPORARY COSTUMES FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE

• “The Beast in Me”
• “BEEF”
• “Black Rabbit”
• “DTF St. Louis”
• “Remarkably Bright Creatures”

OUTSTANDING DIRECTING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE

• “BEEF” (“It Will Stay This Way and You Will Obey”)
  • Jake Schreier, Directed by
• “BEEF” (“Oh, the Comfort, the Inexpressible Comfort”)
  • Lee Sung Jin, Directed by
• “Black Rabbit” (“The Black Rabbits”)
  • Jason Bateman, Directed by
• “DTF St. Louis”
  • Steven Conrad, Directed by

OUTSTANDING PICTURE EDITING FOR A DRAMA SERIES

• “Euphoria” (“In God We Trust”)
• “The Pitt” (“1:00 P.M.”)
• “The Pitt” (“9:00 P.M.”)
• “Pluribus” (“Got Milk”)
• “Pluribus” (“Grenade”)
• “Pluribus” (“We Is Us”)
• “Task” (“A Still Small Voice”)

OUTSTANDING PICTURE EDITING FOR A SINGLE-CAMERA COMEDY SERIES

• “The Bear” (“Bears”)
• “Hacks” (“The Cube”)
• “Hacks” (“Hacks (Finale)”)
• “Widow’s Bay” (“Our History”)
• “Widow’s Bay” (“Welcome to Widow’s Bay!”)
• “Widow’s Bay” (“What to Expect on Your Trip”)

OUTSTANDING PICTURE EDITING FOR A MULTI-CAMERA COMEDY SERIES

• “Leanne”
• “The Neighborhood”
• “Shifting Gears”
• “Tyler Perry’s Assisted Living”
• “The Upshaws”

OUTSTANDING PICTURE EDITING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE

• “BEEF” (“All the Things We’re Never Going to Have”)
• “BEEF” (“The Increasing Flimsiness of Any Certainties About the Future”)
• “Black Rabbit” (“Isle of Joy”)
• “Death by Lightning” (“The Man From Ohio”)
• “DTF St. Louis” (“No One’s Normal. It Just Looks That Way From Across the Street”)

OUTSTANDING CONTEMPORARY HAIRSTYLING

• “All’s Fair”
• “Emily in Paris”
• “Euphoria”
• “Hacks”
• “Margo’s Got Money Troubles”
• “Wednesday”

OUTSTANDING PERIOD OR FANTASY/SCI-FI HAIRSTYLING

• “Bridgerton”
• “Fallout”
• “The Gilded Age”
• “A Knight of the Seven Kingdoms”
• “Palm Royale”

OUTSTANDING TITLE DESIGN

• “It: Welcome to Derry”
• “Murderbot”
• “Ponies”
• “Smoke”
• “Spider-Noir”
• “Young Sherlock”

OUTSTANDING CONTEMPORARY MAKEUP (NON-PROSTHETIC)

• “All’s Fair”
• “Emily in Paris”
• “Euphoria”
• “Hacks”
• “Margo’s Got Money Troubles”
• “The Pitt”
• “Wednesday”

OUTSTANDING PERIOD OR FANTASY/SCI-FI MAKEUP (NON-PROSTHETIC)

• “Fallout”
• “The Gilded Age”
• “Love Story: John F. Kennedy Jr. & Carolyn Bessette”
• “Monster: The Ed Gein Story”
• “Palm Royale”

OUTSTANDING PROSTHETIC MAKEUP

• “Fallout”
• “Monster: The Ed Gein Story”
• “The Pitt”
• “Spider-Noir”
• “Stranger Things”

OUTSTANDING MUSIC COMPOSITION FOR A SERIES (ORIGINAL DRAMATIC SCORE)

• “A Knight of the Seven Kingdoms”
• “Palm Royale”
• “Pluribus”
• “Slow Horses”
• “Spider-Noir”
• “Widow’s Bay”

OUTSTANDING MUSIC COMPOSITION FOR A LIMITED OR ANTHOLOGY SERIES, MOVIE OR SPECIAL (ORIGINAL DRAMATIC SCORE)

• “All Her Fault”
• “The Beast in Me”
• “Black Rabbit”
• “In the Blink of an Eye”
• “Washington Black”

OUTSTANDING ORIGINAL MUSIC AND LYRICS

• “The Boys”
• “Hacks”
• “The Pitt”
• “South Park”
• “Spider-Noir”
• “Wednesday”

OUTSTANDING ORIGINAL MAIN TITLE THEME MUSIC

• “All Her Fault”
• “The Beast in Me”
• “The ‘Burbs”
• “Murderbot”
• “Pluribus”

OUTSTANDING MUSIC SUPERVISION

• “Hacks”
• “The Boys”
• “Nobody Wants This”
• “Pluribus”
• “Stranger Things”
• “Widow’s Bay”

OUTSTANDING MOVIE

• “Heads of State”
• “Miss You, Love You”
• “People We Meet on Vacation”
• “Remarkably Bright Creatures”
• “Tom Clancy’s Jack Ryan: Ghost War”

OUTSTANDING SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)

• “Alien: Earth”
• “The Boys”
• “Fallout”
• “Spider-Noir”
• “Stranger Things”

OUTSTANDING SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION

• “A Knight of the Seven Kingdoms”
• “Murderbot”
• “Predator: Killer of Killers”
• “Star Wars: Maul – Shadow Lord”
• “Widow’s Bay”

OUTSTANDING SOUND EDITING FOR A LIMITED OR ANTHOLOGY SERIES, MOVIE OR SPECIAL

• “The Beast in Me”
• “BEEF”
• “Lord of the Flies”
• “The Rip”
• “Tom Clancy’s Jack Ryan: Ghost War”

OUTSTANDING SOUND MIXING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)

• “Fallout”
• “The Pitt”
• “Pluribus”
• “Spider-Noir”
• “Stranger Things”

OUTSTANDING SOUND MIXING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE

• “BEEF”
• “Black Rabbit”
• “DTF St. Louis”
• “Lord of the Flies”
• “Monster: The Ed Gein Story”

OUTSTANDING SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION

• “The Bear”
• “Hacks”
• “Shrinking”
• “Tires”
• “Widow’s Bay”

OUTSTANDING SPECIAL VISUAL EFFECTS IN A SEASON OR A MOVIE

• “Alien: Earth”
• “Foundation”
• “It: Welcome to Derry”
• “Monarch: Legacy of Monsters”
• “Prehistoric Planet: Ice Age”
• “Stranger Things”

OUTSTANDING SPECIAL VISUAL EFFECTS IN A SINGLE EPISODE

• “Gen V”
• “A Knight of the Seven Kingdoms”
• “Paradise”
• “Spider-Noir”
• “The Walking Dead: Daryl Dixon”

OUTSTANDING STUNT COORDINATION FOR COMEDY PROGRAMMING

• “BEEF”
• “Palm Royale”
• “Peacemaker”
• “Poker Face”
• “Spider-Noir”
• “Tulsa King”

OUTSTANDING STUNT COORDINATION FOR DRAMA PROGRAMMING

• “The Boys”
• “Fallout”
• “FBI”
• “The Rookie”
• “Stranger Things”

OUTSTANDING STUNT PERFORMANCE

• “Fallout”
• “FBI”
• “A Knight of the Seven Kingdoms”
• “Palm Royale”
• “Spider-Noir”

OUTSTANDING WRITING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE

• “All Her Fault”
  • Megan Gallagher, Written by
• “The Beast in Me”
  • Gabe Rotter, Teleplay by & Story by
  • Daniel Pearle, Teleplay by
• “BEEF”
• “Death by Lightning”
  • Mike Makowsky, Written by
• “DTF St. Louis”
  • Steven Conrad, Written by