Interview with Vernon Davis (Please Don’t Feed the Children)

With Destry at the helm of an amazingly talented cast, a phenomenal script, and an incredible team in front of and behind the camera,Please Don’t Feed the Childrenwill keep moviegoers on the edge of their seats and conversation going well after the movie has ended.

Did you have to do anything special to prepare for the film?

Vernon- I researched the genre and watched a lot of zombie movies and shows. I paid close attention to various nuances and used them as inspiration for the development of my own character. When I was home alone, I’d even walk around the house reading my lines out loud and acting out my scenes. My neighbors would’ve thought I was crazy if they ever saw me getting into character.

Do you take anything from your incredible football career with the NFL into acting and films?

Vernon- The biggest correlation between football and acting is the process. I remember when I’d stay after practice to catch 300 to 400 balls from a robotic quarterback machine and then watch film. I did that because I wanted to continuously improve my craft and be prepared for Sunday.

The same goes for acting. I typically have a month or two to study and break down the script and try to portray whatever character I have in front of me. So, when I go in front of the camera, and I’m working with the likes of Morgan Freeman, Bruce Willis, and Michelle Dockery, I know that I’m prepared because I had the material and made my choices.

What was it like working with Destry Allyn Spielberg?

Vernon- Working with Destry was awesome! She’s an amazing young filmmaker who has a deep understanding and appreciation for the art of cinema. Like I said earlier, I think she’s one of the most exciting directors working today. To see her work is truly a gift for all involved. I hope to do more movies with her.

What was it like working alongside the cast?

Vernon- I’ve been very fortunate to work with some incredible people early in my acting career, and this was no different. From the superbly talented Michelle Dockery to the likes of Zoe Colletti, Regan Aliyah, Andrew Liner, and Giancarlo Espositointo, I kept thinking, “Man, this is a beautiful opportunity.” For me, it was about giving it my all and putting one foot in front of the other.

You have been in quite a few films so far, do you have a favorite moment so far from a film?

Vernon- While filmingThe Ritual Killer, rather than using a stand-in during rehearsals, Morgan Freeman stayed and rehearsed lines with me. I thought that was so cool. Instead of going back to his trailer like most would, he stuck around to personally work with me and perfect our scenes. He’s not just a great actor, but a great man, who is so down to earth and compassionate.

Would you ever consider directing or writing a book? And on that note do you have any advice or words of wisdom for not only people in this industry but athletes, and those who may be hesitant in life to start something? What would you say?

Vernon- I would absolutely consider directing a film. Developing and implementing the overall creative vision of a script, as well as working with actors on crafting performances, is an opportunity I’d truly welcome. As for writing a book? Stay tuned. There just might be something in the works. Wink. Wink.

My advice for those looking to start something: It really comes down to one simple thing… stay consistent and competitive. Whatever is for you, is for you. Nobody can stop it. As long as you don’t mind putting in that work, a world of opportunity can open up for you.

What are you working on next?

Vernon- I’m always looking for my next role and constantly working to make a name for myself, particularly in action movies, but I also want to be able to play in dramas or comedies and really have that range. My ultimate dream is to see myself on TV every day, whether it be in movies or shows. I want to not only do that for me, but also to inspire people. I want people to see that anything’s possible: Here’s a guy who went from playing football to being a really consistent actor over time. Now look, every time you turn on the TV, you see him.