Punk rock and EDM ruled at the 2025 ARIA Awards, presented Wednesday (Nov. 19) in Sydney, as Amyl and The Sniffers, Ninajirachi and Dom Dolla won big.
With four pointy trophies, Amyl and The Sniffers lauded over the 39th annual awards, including best group, best rock album, and the coveted album of the year, for Cartoon Darkness, their third studio LP.
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If Amy Taylor and Co. were the best-kept secret in pub rock for the past several years, the secret is out. The foursome has emerged as darlings of the international festival circuit, they’ve collected Grammy and Brit Award nominations this year, and they’re opening for AC/DC on the Rock Hall heavyweights’ ongoing stadium tour of Australia.
Taylor always leaves an impression. On winning the ARIA for best cover art, awarded prior to the telecast, the band’s force-of-nature singer Amy Taylor quipped, “I know you just like it because I was flashing my titties.”
On collecting album of the year late in proceedings, Taylor quipped, “as the new prime minister of Australia, I’d like to say: all immigrants welcome. I’d like to say: land back, the dole’s going up and every pub gets a million dollars.” The album, she added, had “changed all of our lives.”
Ninajirachi, the rising “girl EDM” star, entered the ARIAs with a leading eight nominations, and is coming off a gold rush, snagging the Australian Music Prize and triple j’s J Award for her debut full-length album, I Love My Computer. The Hordern Pavilion proved to be another happy hunting ground for Ninajirachi (real name: Nina Wilson), as the electronic music artist, singer, songwriter and producer collected her first ARIAs, for best solo artist, the Michael Gudinski breakthrough artist and best independent release.
Dom Dolla was a winner before the ARIAs got underway. The high-flying Australian electronic music producer and DJ was announced Monday (Nov. 17) as the inaugural global impact recipient, which he collected during the early phases of the ARIAs. Dom, who entered these ARIAs with seven nominations, doubled up with the award for best dance/electronic release, marking his third consecutive win in that category.
Kevin Parker added a brace of ARIAs, nabbing engineer – best engineered release, and producer – best produced release, for his work on the latest Tame Impala collection, Deadbeat. In a taped acceptance speech, Parker revealed that the engineering stage was “probably the thing I spend the longest on when making music.” On scoring the producer trophy, he remarked, “there’s some amazing minds” in the music community. “It’s getting harder and harder to keep up with what’s going on in Australia.”
Other winners included Troye Sivan (best Australian live act), Taylor Swift (most popular international artist), BOY SODA (best soul/R&B), BARKAA (best hip-hop/rap release), Thornhill (best hard rock/heavy metal album), and the Teskey Brothers, who collected a fourth best blues & roots album trophy, a record for that category.
Thelma Plum performed “Nobody’s Baby” from her second album I’m Sorry, Now Say It Back and made a second trip to the stage to collect best pop release, presented by Tyra Banks, the American supermodel and television personality who now calls Sydney home. “I can’t believe Tyra Banks just gave me an ARIA,” Plum remarked. “This feels like a fever dream.”
After shifting roughly 200,000 tickets on its latest national jaunt, the beloved Laneway Festival was confirmed as Australia’s favorite fest by scooping the inaugural best music festival award, introduced this year to recognize and celebrate the critical role Australian music festivals play in the music ecosystem.
Performers at the ARIAs, the Australian recorded music industry’s flagship event, included Olivia Dean, Keli Holiday, Thelma Plum, Missy Higgins, and alternative rock heroes You Am I, who were inducted into the ARIA Hall of Fame and had the final word on the night with a two-song performance of “Heavy Heart” and “Berlin Chair.” The nation’s prime minister Anthony Albanese paid tribute to the band in a video package, pointing out that, “along the way, you’ve added to who we are.”
Sponsored by Spotify, the ARIA Awards streamed live across Paramount+, followed by a special presentation on the free-to-air network 10 with performances and moments available on the trade body’s social channels.
